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      Betreff: Painting Space in the new Parkett issue
      Datum: Wed, 9 Oct 2002 08:01:09 -0700
      Von: "e-Flux" <info@e-flux.com>

        Parkett 65

      In Parkett 65: Space distinguishes the pictures in this issue, not meaning the
      illusionism that sees the picture as a window through which we look, but
      rather a breathing space, a field of freedom created with great care by John
      Currin, Laura Owens, and Michael Raedecker. Ironically, that sentence recalls
      an artistic movement of the past in which explosive gesture prevailed. Here,
      the opposite is true.

      In the section on John Currin, Keith Seward takes on his early nudes and the
      genre of nude painting. Mark van de Walle looks at his recent work that has
      gone beyond the breasts and babes, to men, kitsch, and more art history.
      Swiss novelist Sibylle Berg completes the section with a poetic reflection that
      could have been authored by one of Currin's painted ladies.

      For Laura Owens' collaboration section, curator Russell Ferguson takes us into
      the L.A. painter's studio and follows the progress of one of her recent works,
      from sketch to finished canvas. Benjamin Weissman contributed an original story,
      »Monkey Man Killer,« inspired by Owen's paintings. Mungo Thomson, a friend of
      the artist, discusses her painting philosophy and her varied approach to making
      works specifically tailored for every space and situation.

      On Michael Raedecker, Bert Verschaffel investigates his painting strategy and
      the »unsettling« effect of Raedecker's »evocative« paintings. Terry Myers
      explores Raedecker's »sampling« method derived from his music, fashion and
      artistic backgrounds that all meet on the canvas. Writer and novelist Dave Eg-
      gers wrote a story about a boy and his father to complement Raedecker and
      his winter-like paintings.

      Also in this issue: Kurt W. Forster on Jeff Wall and Herzog & de Meuron's Do-
      minus Winery; Robert Storr on the relationship of Dieter Roth & Dorothy Iannone,
      and Konrad Bitterli on Swiss-American video artists Teresa Hubbard/Alexander
      Birchler.

      Plus: Les Infos du Paradis: Christina Végh on Markéta Othová; Cumulus from
      America: Olav Westphalen on »Mirroring Evil« at the Jewish Museum, New York;
      Cumulus from Europe: Thomas Hahn on Metzger/Zimmerman/de Perrot; Balkon:
      Sheena Wagstaff on Artemisia Gentileschi; and a photographic Insert by musi-
      cian Lou Reed.

      To explore the new issue, view the new editions, read selected essays in Par-
      kett's signature design, search the more than 1,000 Parkett articles, send E-
      cards of your favorite editions, join our mailing list, and subscribe, please visit

        www.parkettart.com


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