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        Parachute


      Betreff: PARACHUTE
      Datum: Wed, 9 Oct 2002 00:59:02 -0700
      Von: "e-Flux" <info@e-flux.com>

        PARACHUTE #108
        Beirut - a pivotal city between contemporary art
        and the Arab world

      Montreal, October 8, 2002 - PARACHUTE is launching its latest issue, devoted
      to "Beirut" in Montreal at the Canadian Centre for Architecture on the 10th of
      October at 7:00 p.m. This event underscores PARACHUTE's ambition to further
      develop its interest in Beirut and the Arab world, and to pursue the dynamics
      of exchange initiated in this issue. Chantal Pontbriand, the magazine's editor
      in chief, will present the issue to the public on this occasion. The presentation
      itself will be followed by a conference given by architects from the Lebanese,
      New-York-based group L.E.FT. The Canadian Centre for Architecture is or-
      ganising and presenting this event in the framework of its Thursday night dis-
      cussions held during the debate series, "Opinions".

      This issue is part of PARACHUTE's ongoing series devoted, once a year, to
      those cities in the world where a confluence of intellectual and artistic activities
      are fostering new developments in artistic practices, transforming established
      dynamics, indicating new paths for understanding the current context and de -
      tecting future shifts. This issue's goal is to identify the different characteristics,
      trends and players - both intellectuals and artists - in order to better grasp what
      is at stake in the given context. The first issue of the series, devoted to Mexico
      City (autumn 2001), has been a resounding success.

      In light of the current conjuncture, it strikes us as crucial to turn toward the Arab
      world and investigate the new conditions and artistic practices that are manifest
      there. Beirut is emblematic in this regard, given its multicultural, multi-denomina-
      tional makeup, caught between war and peace, grappling with problems of ter-
      ritoriality and multiple identity. The city of Beirut has emerged as a cultural hub,
      fostering an artistic context able to engender a critique of a modernist vision of
      history, with its cleavages between past and present, history and the future, the
      local and the global. In this political and social context, the city has become a fo-
      cal point in art for the expression of such a critique, informed by writing, the
      image, urban space, questions of agency, daily life, concepts of change, friend-
      ship and exchange.

      The issue itself deals with the specific artistic practices developed by artists living
      in Beirut - as well as others from the Lebanese diaspora - including Walid Sadek,
      Akram Zaatari, Mohamad Soueid, Mahmoud Hojeij, Michel Lasserre and Paola Ya-
      coub, Walid Ra'ad, Bilal Khbeiz, Rabih Mroué, Tony Chakar, Jayce Salloum and
      Mona Hatoum. Several of these artists have themselves contributed texts, as
      writing - like video - is one of the preferred media for many artists working in Beirut.
      Solid ties link these artists whose practices and ideas have created a mutually re-
      inforcing dynamic. Though architectural issues can be discerned in many Beirut-
      based practices, it is more specifically dealt with here in A. Hashim Sarkis' text, and
      the project developed by L.E.FT and Amale Andraos. The issue includes a project by
      Gilbert Boyer, a Montreal-based artist, closely interested in Beirut's urban setting.
      Organisations and intellectuals who have played a key role in structuring Beirut's
      cultural context - including the Arab Image Foundation, the Ashkal Alwan Association,
      the Ayoul Festival, as well as Elias Khoury, Hazim Saghie and Hoda Barakat - are
      also featured.

      Amale Andraos and the founders of group L.E.FT, Naji Moujaes, Makram, El-Kadi
      and Ziad Jamaleddine are international Lebanese architects. Working along with
      Rem Koolhaas and Steven Holl among others, they collaborated here to create a
      project for the Beirut issue. Choosing the form of fictional postcards, these ar-
      chitects propose to bring forth and reflect on cultural and political issues specific
      to the city. The conference is held in English.

      PARACHUTE is also launching its issue "Beirut" on the occasion of the 9th Summit
      of French-speaking countries, focusing on the theme of "Le dialogue des cultures,"
      on 19 October at the Agial Gallery. A public discussion bringing together authors
      and artists from issue #108 is also to be held at Espace SD on 17. Launches and
      panels will be held in Paris and in New York in the course of the year.

      PARACHUTE is grateful for the financial support of the Canada Council for the Arts,
      the Conseil des Arts et des Lettres du Québec, the Arts Council of the Montreal
      Urban Community, the Fonds de stabilisation et de consolidation des arts et de la
      culture du Québec, the City of Montreal, and the Ministère de la Culture et des
      Communications du Québec.

      The launch in Beirut as well as the conference in Montreal have been made pos-
      sible thanks to the support of the Ministère de la Culture et des Communications du
      Québec, the Conseil des arts et des lettres du Québec, the Ministère des Relations
      internationales du Québec and the Canadian Centre for Architecture. The Canadian
      Department of Foreign Affairs and International Trade has also provided support
      for the publication of this issue.

        Source > Monica Györkös
        t > 514 842 9805
        f > 514 842 9319

        www.parachute.ca

        info@parachute.ca


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