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Betreff: Flash Art International
Datum: Thu, 11 Jul 2002 08:53:26 -0700
Von: "e-Flux" <info@e-flux.com>

Flash Art International

Coming up in the Summer issue (July-August-September)...
reports from Documenta, Manifesta, Sydney, and Dakar;
"Focus Latin America"; Pierre Huyghe, Aperto South Africa;
Cityscape Costa Rica and, of course, much more!

May/June: The "German Issue"

Ich bin ein Berliner - is something more and more contemporary artists can
claim these days-and it's not just because of the affordable and plentiful
studio space. It's been over a decade since reunification, and social, political,
and infrastructure changes have created unique opportunities for artists to
build new contexts and communities, with Berlin emerging as a major center
for contemporary art production. Both centrally located within Europe and
positioned between East and West, Germany offers a logical geographical
hub for artists to live and work while participating in an increasingly globa-
lized art world. Germany will also host two of the most important contemp-
orary art events of summer 2002, Documenta 11 in Kassel and Manifesta 4
in Frankfurt.

In this issue, Flash Art brings you "Focus Germany," which includes profiles
of over 50 artists living and working in Germany, interviews with painter Kai
Althoff, and Henrik Olesen and Kirsten Pieroth; a fashion spread by Swetlana
Heger, whose work further blurs the line between corporate branding and
artistic signature; feature articles exploring themes such as nationhood and
national identity ("Cultural Territories" by Barbara Steiner), and the decline of
East German cities and the development of new urban models ("City of Open
Spaces" by Kai Vöckler).

Also in this issue: reports from the Whitney Biennial in New York and Gwangju
Biennale in South Korea, and the São Paulo Bieñal; Aperto Helsinki; New York
Cut up by Massimiliano Gioni; Eungie Joo looks at "the new folk" movement in
the San Francisco Bay Area; Johannes Kahrs in "Global Art;" Tino Sehgal in
"Ouverture;" and reviews, including Cecily Brown, Huang Yong Ping, Tracy
Nakayama, David Shrigley, Won Ju Lim, Stefanie Schneider, Maria Hahnen-
kamp, Koenraad Dedobbeleer, Marianne Heske, and Tracy Rose.



Betreff: Flash Art October Issue
Datum: Thu, 17 Oct 2002 15:07:23 -0700
Von: "e-Flux" <info@e-flux.com>

In the October issue, Flash Art continues his commitment to explore specific
art territories with "Focus Painting," a special two-part supplement that includes
a panel discussion with London-based painters Peter Doig, Lucy McKenzie,
and Tomma Abts; and features on Wilhelm Sasnal, Dana Schutz, and four
contemporary Nordic painters. Maurizio Cattelan picks Verne Dawson's brain;
Patricia Ellis waxes poetic on Karen Kilimnik; and Alison Gingeras talks with
John Currin about the baggage of painting.

Also in this issue: Angela Rosenberg surveys the new art about the new eco-
nomy; Jens Hoffmann explores the work of Brazilian artist Rivane Neuen-
schwander; Aperto Zagreb; reports from the Baltic Triennial in Vilnius and the
Biennial of Cetinje in Montenegro; and reviews of Michel Majerus, Muntean/
Rosenblum, Amy Gartrell, Roe Ethridge, Chris Ofili, Salla Tykkä, and Michele
O'Marah.



Betreff: Flash Art, November-December 2002
Datum: Fri, 15 Nov 2002 08:10:32 -0800
Von: "e-Flux" <info@e-flux.com>

Flash Art International
November-December 2002

It's a given that in the narrative of art history, painting dies and is reborn cyc-
lically. Judging from the number of fresh young faces tackling and redefining
the medium, and the prevalence of blockbuster painting exhibitions popping up
around the world, all signs point to yes that painting is currently being resur-
rected as a medium of choice.

In our November-December issue, Flash Art brings you the second half of
"Focus Painting," a special supplement examining the state of painting today.
Three eminent painting curators: Lauri Firstenberg, Douglas Fogle, and Peter
Pakesch, discuss the renewed institutional interest in this medium today.
Allison M. Gingeras excavates the historical and ideological dialogues em-
bedded in Neo Rauch's paintings; Lauri Firstenberg interviews New York-
based conceptual painters Barnaby Furnas, Julie Mehretu, and Matthew
Ritchie; Giancarlo Politi speaks with old friend Francesco Clemente about
his new watercolors; and Jorge Pardo addresses the painter-dealer relation-
ship in a conversation with Jan Tumlir. Rounding out our coverage is a survey
of fifty contemporary painters, demonstrating that painting is still alive and
kicking today.

Plus: Jens Hoffmann talks to key players of the L.A. art scene, Gean Moreno
on Luis Gispert, Lee Triming on the Liverpool Biennial, Luk Lambrecht on Brus-
sels' "ForwArt" exhibition, Revolutions on Request, the Asia-Pacific Triennial,
media_city seoul, Pierre Huyghe, and dozens of reviews including Will Cotton,
Torben Giehler, John Bankston, Michael Raedecker, Amelie von Wulffen,
and more.

Flash Art International
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