The Power of Opinion and the
        Use of Media - Investigating
        Art Criticism

        Critics Symposium at ART Cologne 2002
        1. and 2. November 2002

    With the progressive removal of boundaries from the concept of art, there
    has been an expansion in the so-called art business, in connection with
    which the function of the critic as a multiplier and transmitter of information
    has become a crucial interface. The state of the economy, and the super-
    fluity of contemporary exhibitions make the reflection of these in the media
    a conditio sine qua non. Lately exhibitions have appeared to be designed
    more for the press than for the public.Time to pause and take thought. The
    critic has always been a mighty authority. Is he today the secret éminence
    grise of the business, not just throwing out information but promoting - or
    even trashing - careers ? One who spins mightily along with the carousel
    of vanities, the more so as now new forms of cooperation between culture
    and industry have also come about, in which the so-called media repre-
    sentative constitutes the crucial needle's eye of access to the public. How
    should the new role of the critic be seen - between curators, competition
    and capital? And what strategy can educate the "opposite numbers", the
    critic's victims - artists, curators, museums, institutions and sponsors? The
    symposium aims at a stock-taking, a self-critical reflection on the role of the
    international art criticism, in a dialogue of "perpetrators" and "victims".

        Programme

    Hanno Rauterberg [Die Zeit], Hamburg "Crisis of Art - Crisis of Art Criticism?
    The General Situation of Art Criticism."
    Diedrich Diederichsen [music and art critic], Berlin "Art Criticism: Curse or
    Blessing?"
    Discussion: "About the Status Quo I: The Growing Power of Art Criticism:
    the Role of Art Critics in the International and Interdisciplinary Context."
    Participants: Patricia Bickers [Art Monthly], London; Christoph Blase [blitz-
    review], Berlin; Jörg Heiser [Süddeutsche Zeitung, frieze], Berlin; Kobena
    Mercer [author], London/Ghana; Thomas Wagner [Frankfurter Allgemeine
    Zeitung], Frankfurt; Moderation: Stefan Römer [artist/critic], Cologne
    David Galloway [Herald Tribune, Art in America], Wuppertal , "Europe - USA:
    In International Comparison."
    Marius Babias [Kokerei Zollverein], Essen/Berlin "Subject Reproduction and
    Political Art Practise."
    Discussion: "About the Status Quo II. Life and Art Criticism: the Role of the
    Art Critic between Mass Media and Museum, Artist and Curator."
    Participants: Catherine David [Witte de With, center for contemporary art],
    Rotterdam; Silvia Eiblmayr [Galerie im Taxispalais], Innsbruck; Amine Haase
    [Kölner Stadt-Anzeiger], Cologne; Elisabeth Lebovici [Libération] Paris; Ro-
    berta Smith [The New York Times] New York; Sabine B. Vogel [art critic],
    Weidling/Vienna; Moderation: Raimund Stecker [Arp Museum Rolandseck],
    Düsseldorf

    A project in association with Dornbracht [http://www.statements.de] and
    KölnMesse / Art Cologne [http://www.artcologne.de]. A cooperation with
    Museum Ludwig, Köln, and AFAA - Bureau des Arts Plastiques/Französi-
    sche Botschaft. Sponsored by Holiday Inn Köln-Belfortstraße / Holiday Inn
    Köln City-West / Best Western Lyskirchen.